![]() ![]() Thus the records are a source of the first importance and of exceptional continuity for the city's history, fuelling a tradition of demographic scholarship that dates back to 1775 when Marco Lastri published his Ricerche sull'antica e moderna popolazione della città di Firenze (" Research on the Ancient and Modern Population of the City of Florence"). Before then, all Florentines were christened beneath the mosaic-covered vaults of San Giovanni. Parish churches in the diocese were only allowed to have their own baptismal fonts relative recently, at the time of Archbishop Elia Dalla Costa (in the synods of 19). The most frequently consulted records in our archives are to be found in the San Giovanni Christening Records Archive, which houses the famous registers of all those christened in the baptistry of Florence after 1450. The Historical Archive has an inventory-summary compiled by archivist Enzo Settesoldi in 1958. One is a liturgical book entitled " Mores et consuetudines canonice florentine", which comprises a set of provisions for the clergy serving the old cathedral of Santa Reparata regarding the celebrations to be held inside and outside the church, while the other is the so-called "Santa Reparata Necrology", a parchment register set out like a Roman calendar with the name and date of death of those buried in the graveyard around the cathedral up to 1320. The Archive also owns several manuscripts which were not produced by the Opera directly but acquired at a later date, including two extremely precious 13th century registers which are the oldest works in the collection. The documents are divided into several different categories such as regulations, deliberations, correspondence and proceedings, accounts, inventories and so forth. The earliest document in the archive is a book from the middle of the 14th century containing the memoirs of Filippo Marsili, the Opera's general manager at the time, but after that the collection continues right on up to the present day without a break. The written records of the earliest decades have been lost (although we have extensive indirect knowledge of them). The Historical Archive houses the records of the Opera's activity since it was first founded by the city fathers to oversee the construction and maintenance of the new cathedral in 1296.
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